Documentary record connected to the editorial archive.
Spanish museum whose dress and fashion collection preserves almost 30,000 objects. It includes regional dress, jewellery and accessories, works by Mariano Fortuny y Madrazo, and pieces by Cristóbal Balenciaga and Pedro Rodríguez; it also holds Rodríguez’s complete documentary archive from 1940 to 1978.
A reading of fashion in Spain from the post-war years to the 1970s as material culture: garments, accessories, photographs, fashion plates, and magazines make it possible to study both dress and the channels that made it visible.
Open storyA critical timeline of traditional toys between 1930 and 1960, their status as handmade objects, and their arrival in museums as sources for studying childhood, education, material culture, and heritage.
Open storyThe case of Oscar de la Renta dresses in a National Museum of the American Latino display explains a core principle of textile conservation: removing a garment from light does not mean hiding it, but extending its ability to tell a story.
Open storyThe appearance of Rattan Body, by Issey Miyake and Koshige Shochikudo, on Artforum’s March 1982 cover provides a way to examine a broader change: the gradual arrival of contemporary fashion in museums as cultural expression, while acknowledging the material and curatorial limits involved in exhibiting and preserving garments.
Open storyMuseums and collections show that a toy is not merely a cherished object: it can document industry, education, consumption, gender and everyday life. A critical reading of how this material memory is preserved, displayed and contextualised.
Open storyThe exhibitions and collections cited by Spanish institutions offer a way to approach Madrid fashion from the post-war period to the 1970s without treating a single image as a complete truth. This guide proposes reading garments, accessories, photography and the press together, while distinguishing what can be stated from what must remain open.
Open storyA fashion collection is not merely an assemblage of beautiful garments: it requires documentation, exhibition limits and a cultural reading. The Museo del Traje preserves almost 30,000 objects, while museum research helps explain why wearing, displaying and preserving are inseparable decisions.
Open storyToy museums and collections make it possible to read a society’s childhood, industry and customs. This article examines what a toy can document and why preserving it means keeping the object connected to its provenance, use and context.
Open storyToys do more than evoke childhood: their materials, purchase routes, uses, and preservation make social transformations legible. Drawing on museum and academic sources, we examine what can—and cannot—be claimed when a toy enters a collection.
Open storyThe Museo del Traje collection brings together regional dress, jewellery and accessories, works by Mariano Fortuny y Madrazo, and holdings representing Cristóbal Balenciaga and Pedro Rodríguez. Using the available institutional information, we examine what this concentration of objects allows us to say and the limits of a collection description.
Open storyA cautious reading of 1970s fashion from the available evidence: disco, Lycra, platform shoes, experimentation and diversity, without turning broad trends into a single story.
Open storyDrawing on documented Spanish exhibitions and collections, this analysis examines Madrid fashion from the post-war period to the 1970s as a material and visual source. Garments, photographs, fashion drawings, magazines and accessories can reveal changing customs, without mistaking a museum exhibition for a complete portrait of an era.
Open storyFashion’s presence in museums is not simply about displaying beautiful or recognisable garments. Decisions about conservation, documentation, rotation and installation determine which stories can be told and which remain outside the case.
Open storyThe Museo del Traje exhibition ¡Extra, Moda! offers a way to view magazines, fashion plates, patterns and garments as parts of one system: the press circulated proposals, while industry and the seasonal calendar shaped their circulation. What the evidence supports—and what it leaves open.
Open storyFashion’s arrival in museums changed how clothing could be seen: exhibitions can address not only appearance but also social, artistic and material histories. A careful survey of documented milestones and debates from 1971 to the early twenty-first century.
Open storyA look at how museums and collections turn everyday toys into evidence of childhood, material culture and social change—without confusing what an object may suggest with what sources can establish.
Open storyA cautious reading of the available sources on 1970s fashion: disco aesthetics, synthetic materials and the influence of urban cultures emerge as distinct strands, not as one uniform style.
Open storyThe Museo del Traje exhibition brought together magazines, fashion plates, patterns, garments and accessories to explore how the press helped circulate fashion in Spain. Its documented objects and figures offer an entry point, though they cannot by themselves reconstruct the whole history.
Open storyThe material history of Spanish toys is more than a succession of objects: collections and exhibitions help reveal changes in techniques, materials, customs and expectations of childhood.
Open storyFashion on display is more than clothing removed from everyday life. Collections, archives and conservation decisions turn garments and accessories into cultural documents, while raising questions about what is shown and why.
Open storySeventies fashion is often reduced to disco style, but the available sources also point to experimentation, diversity, and the influence of different musical cultures. A careful reading of the decade begins by recognizing that variety—and the limits of the evidence.
Open storyShowing fashion involves more than displaying garments: it means explaining their history and use, as well as the material limits that determine what can be seen and for how long.
Open storyDisco often stands in for seventies fashion, but sources also point to the coexistence of bohemian, punk and androgynous styles. A look at what can be said—and what the available references do not allow us to generalize—about clothing, accessories and diversity.
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