Archive of technology, entertainment and everyday life
The collected sources place the emergence, growth, and early consolidation of the personal-computer market in the 1970s. This analysis separates the claims supported by the evidence—microprocessors, the “1977 Trinity,” the Unix era, and the later compatible-PC ecosystem—from the usual simplifications of milestone-based narratives.
Open storyPersonal, corporate, promotional and film holdings make it possible to study cinema beyond the films themselves. This guide examines what Spanish archives document, the role of distribution, and why preserving contextual materials matters.
Open storyIn 1990, a CERN group of physicists led by Tim Berners-Lee developed HTML and created the prototype that would be built in 1991 as the World Wide Web. This analysis places that change within an Internet already used for email, file transfer and remote access, and explains why linked text changed the experience of finding and navigating information.
Open storyComics and magazines cease to be ephemeral materials when an institution, collection or digitisation project contextualises, describes and preserves them. Drawing on sources about the Museu del Còmic i la Il·lustració, public archives and digital-preservation studies, this article examines what can be verified about that transition.
Open storyThe available evidence places the presentation of Sony’s Walkman in July 1979 and describes it as a portable stereo player associated with lightweight headphones. This analysis considers what that documentation supports, why the object matters to the cultural history of listening, and which questions require further sources.
Open storyA cautious reading of Spanish television between the 1970s and the turn of the millennium: what accessible archives allow us to verify, which milestones the sources cite, and where this evidence reaches its limits.
Open storyCollections and exhibitions at the Museo del Traje and other institutions make it possible to read fashion as material culture: garments, accessories, photographs, magazines, patterns and fashion illustrations preserve traces of production, circulation and use. A tour of what these sources allow us to state—and what they do not—about Spanish fashion from the post-war years to the 1970s.
Open storyThe Magnavox Odyssey is often placed at the beginning of home-console history. The available evidence allows us to place its commercialization in 1972, link its creation to Ralph Baer, and recognize the Brown Box as an antecedent preserved by the Smithsonian; it also requires separating those facts from broader or imprecise later narratives.
Open storyA technical and cultural reading of the network before the Web: ARPANET, remote access, file transfer, email, and the need for shared protocols. Its history is presented as a collective process, incomplete and open to revision.
Open storyA look at the sources that turn food into historical material: academic studies, exhibition catalogues, bibliographies, archives, and ethnographic collections.
Open storyA critical reading of the available information on Tōei Dōga: its 1956 founding, its current name—Tōei Animation—and the limits worth maintaining when recounting its historical importance.
Open storyWinWorld and Virtual OS Museum illustrate two models of digital preservation: collecting historic programs and making old operating systems explorable on current machines. Their value is not limited to downloading; it lies in recovering contexts of use that version lists alone cannot explain.
Open story
