Careful conservation, documented diagnosis and reversible modifications.
CRT televisions and power supplies can retain lethal voltages even when unplugged. Electrical work must be performed by trained personnel.
Begin with the least invasive intervention and document the initial condition.
Do not replace components without measuring, verifying and recording the reason.
Control humidity, sunlight, batteries and incompatible materials.
Always retain the original parts and avoid permanent damage.
Work from copies and preserve the original medium without writing to it.
Record tools, products, parts and every technical decision.
Intervention records, minimal-intervention principles and preventive conservation help frame restoration as a practice that also creates a record. The available sources show how Spanish museums and institutions describe and document this work.
Open storyConserving decorative arts is not simply a matter of repairing objects. Documentation, accessible storage and preventive care are part of the everyday work of protecting both their physical integrity and the information they convey.
Open storyDocumentation makes it possible to study restoration as work, institutional memory, and a source of knowledge. The Prado’s published history points to a significant shift: from lists to systematic reports for individual works, alongside wider communication about restoration.
Open storyBetween 2002 and 2009, the Cerralbo Museum undertook the recovery of several rooms on its Main Floor. The project combined historical documentation, conservation and restoration, raising a central question: how can a historic interior be made legible again without confusing recovery with free reconstruction?
Open storyThe Museo de Zaragoza’s photographic collection illustrates why preserving images means caring for their different physical supports as well as the information needed to interpret them. Drawing on institutional and academic sources, this article reviews documented principles and their limits.
Open storyPreserving decorative arts is not limited to repairing objects. Documentation, safe access and organised storage also help protect both their physical condition and the information they convey.
Open storyFashion’s presence in museums is not simply about displaying beautiful or recognisable garments. Decisions about conservation, documentation, rotation and installation determine which stories can be told and which remain outside the case.
Open storySystematic intervention records changed how restoration is understood: they preserve not only an artwork, but also the verifiable memory of what was done to it.
Open storyMuseum computing can structure records, images, movements and conservation reports. Yet the consulted sources stress a decisive limit: without contextual documentation, an object is reduced to an isolated item.
Open storyA guide to viewing historical photographs as documents connected to the people and institutions that produced, preserved, and described them. The Museo Archivo de la Fotografía in Mexico City helps place that idea within institutional management, cataloguing, and digitisation.
Open storyA reading of automotive preservation as a cultural practice: vehicles, engines, chassis and manuals, together with their social contexts, explain far more than technical evolution.
Open storyMuseum archives show that conservation is not simply about storing objects. Drawing on institutional cases and resources from Spain and Latin America, this article examines how documents, photographs, moving images and electronic technologies support research, access and cultural memory.
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