Archive of technology, entertainment and everyday life
The announcement of a Film Museum in the former NO-DO building opens a discussion that goes beyond displaying objects: how to preserve, contextualise and make audiovisual heritage accessible when its material form and historical meaning cannot be separated.
Open storyBetween 1944 and 2009, several documented interventions affected room decoration and other spaces at Madrid’s National Museum of Romanticism. This feature examines what can be stated about those phases and why historic decoration must be read through the building, display, and documentation together.
Open storyA fashion collection is not merely an assemblage of beautiful garments: it requires documentation, exhibition limits and a cultural reading. The Museo del Traje preserves almost 30,000 objects, while museum research helps explain why wearing, displaying and preserving are inseparable decisions.
Open storyWinWorld and Virtual OS Museum illustrate two complementary ways to approach historic software: the downloadable library and the environment already prepared for emulation. The comparison also shows the documentary, technical and rights-related limits surrounding access to old software.
Open storyArchives, reports and protocols make restoration a verifiable and transferable practice. Spanish institutions show how documentation, minimum intervention and preventive conservation support heritage care.
Open storyThe Museo Cerralbo project offers a way to examine restoration as the recovery of a historic interior rather than work on isolated objects alone. Documentation, coordination among trades, and the sequence of work from 2002 to 2009 show why conservation also means deciding which material and museographic evidence should remain legible.
Open storyTurin’s National Automobile Museum presents vehicles, engines and chassis as evidence of innovation, fashion, science and social change. This profile examines what the available information supports about its origins, historic collection and conservation approach.
Open storySpanish museums, archives and associations show that conserving video games also means caring for machines, software, documentation, images, publications and the means of access that make the whole intelligible.
Open storyA reading of the computer as a museum-documentation tool: useful for structuring records, images, movements and conservation reports, yet dependent on the context attached to every object.
Open storyOn 6 December 2006, the creation of Mexico City’s Museo Archivo de la Fotografía was published. Drawing on the available institutional information, this article places that milestone within a broader history: photography as a record of urban administration, the challenge of describing large holdings, and the role of museums and photo libraries in preserving visual memory.
Open storyBetween 1944 and 2009, several sources document interventions at historic museums in Spain and Brazil affecting rooms, gardens, courtyards, circulation and public presentation. This timeline separates what the sources establish from interpretations about decoration, conservation and museum display.
Open storyA critical reading of the available evidence on the Museu del Còmic i la Il·lustració and the value of magazines, booklets, press material and original art as documentary heritage. The article separates what the sources support from what still requires cataloguing, provenance and institutional consultation.
Open story
