FORMATProof of Nobility: Document, Binding, and Conservation Box
A documentary item dated in Valladolid on 6 July 1630. The National Historical Archive states that its condition made consolidation of the cover and a special conservation box tailored to its physical characteristics advisable.
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FILMTarzan: Visible Techniques, Unfinished Questions
An exhibit proposal presenting the film as an animated work, with a note distinguishing the available information about traditional animation, computer-generated effects, and Deep Canvas from the production materials not supplied by the sources.
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FILMSnow White in the history of the animated feature
A video-store display centered on the film and its documented status as the first animated feature produced by Walt Disney. The source also records its selection for preservation in the National Film Registry in 1989; it does not document a specific physical copy for display.
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MUSEUMCinema as material heritage
A proposal using the Girona Cinema Museum as a starting point for exploring how objects, archives and social contexts of moving images can contribute to cinematic memory. The source documents its mission and 1998 opening, but does not detail specific collection items here.
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MUSEUMCinema is preserved beyond the screen
A proposal to present the Girona Cinema Museum as a starting point for exploring film heritage. The source documents its inauguration on 8 April 1998 and its pioneering status in Spain; selecting specific objects and linking them to the video-store experience would require further documentation.
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ANIMATIONStop Motion Don't Stop in a space for film and animation
A proposal to present the exhibition documented by the 2013 catalogue and connect stop motion with production materials and decisions, without attributing specific objects not identified in the sources.
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PLACENational Film Archive of Japan: Preserving Animation Beyond the Finished Film
The National Film Archive of Japan is Japan’s public institution for preserving and presenting films and related materials. Its Animation Department also addresses the preservation of intermediate production materials, including cels, which document the process beyond the projected work.
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