Archive of technology, entertainment and everyday life
A critical reading of the available evidence: public collections, catalogues and timelines help situate photography and video, but also require us to distinguish documented facts from broad technological narratives.
Open storyA cautious history of Spanish sticker albums: their connection with consumer goods, sale in packets, football and the collective practice of trading duplicates.
Open storyBetween 1969 and 2009, museum restoration in Spain can also be read as a transformation in its records: from practices with limited documentation to projects in which research, photographs, reports and follow-up became part of the work. The Prado, the MAN, the National Library and the Cerralbo Museum help place that change without turning it into a linear or universal history.
Open storyThe collected sources place the emergence, growth, and early consolidation of the personal-computer market in the 1970s. This analysis separates the claims supported by the evidence—microprocessors, the “1977 Trinity,” the Unix era, and the later compatible-PC ecosystem—from the usual simplifications of milestone-based narratives.
Open storyThe available evidence places the presentation of Sony’s Walkman in July 1979 and describes it as a portable stereo player associated with lightweight headphones. This analysis considers what that documentation supports, why the object matters to the cultural history of listening, and which questions require further sources.
Open storyA cautious reading of Spanish television between the 1970s and the turn of the millennium: what accessible archives allow us to verify, which milestones the sources cite, and where this evidence reaches its limits.
Open storyThe Magnavox Odyssey is often placed at the beginning of home-console history. The available evidence allows us to place its commercialization in 1972, link its creation to Ralph Baer, and recognize the Brown Box as an antecedent preserved by the Smithsonian; it also requires separating those facts from broader or imprecise later narratives.
Open storyA technical and cultural reading of the network before the Web: ARPANET, remote access, file transfer, email, and the need for shared protocols. Its history is presented as a collective process, incomplete and open to revision.
Open storyA critical guide to viewing 1970s historical and political cinema as testimony to its own time, without mistaking a film for literal proof of the past.
Open storyA reading of Spanish toys as material heritage: from industrial collections and museum holdings to exhibitions that place them alongside their social, technological and design contexts.
Open storyFrom stickers attached to consumer goods to albums sold in packets, the Spanish history of sticker collecting explains a leisure practice based on completing, trading and preserving. Panini’s international Mexico 1970 album helps locate a decisive shift: football turned an already widespread practice into a mass phenomenon.
Open storySpanish television changed in medium, image, and conditions of access between the 1970s and the 2000s. The available evidence does not amount to a total history, but it does allow an examination of how a broadcast medium also became accessible archival heritage.
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